SOME BLACK AND WHITE ILLUSTRATIONS

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'SOUNDSCAPES' at the National Gallery

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Paul Cezanne - Les Grande Baigneuse One of the most essential and philosophical things that art does, however cautiously or however strongly, is an inquiry into the concepts of time and space as what it is and what else it could be. Different mediums of Art do this in different ways. But what happens when two forms get together, not just for the sake of getting together, but as a response to each other and a form of communication with each other? The results can be as perplexing and mysterious as it was at the 'Soundscapes' exhibition at the National Gallery. As soon as you enter the exhibition arena, you are shown an introductory film in which the commissioned musicians talk about how they were inspired by the particular pieces they have chosen (It might have been better if the film was shown after the audience went through the soundproofed labyrinth and taken in the works without a prelude into the ideas of what/why they were what they were). After this you are l
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Drawn into Daumier's World

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                                                                                                                      Rue Transnoniuan, 1834                                One of his few realistic works, showing the massacre by the French Government                                                              (Source - The British Museum) Every once in a rare while we come across an artist who just draws us in, very inexplicably yet in a very natural manner. As I stood staring for hours at Daumier's works at the Royal Academy some months ago, I knew I was in that rare sphere of time; of having discovered something so very precious and brilliant, something which would help me tackle some of my persistent questions and yet something so simple and lucid that it wouldn't be a hard brick on the head. At first you are just swept off your feet; you just stare at the genius in front of you. You can never have enough of his drawings (and there are over 1000's of which o
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Final MA Paper

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UNDISSOLVED THE PRESENCE OF ABSENCE                                                                                              “…Here, no here makes sense… presence and absence battle at the core of its every word, with absence winning out.’ (E.J. la Demeure et le livre’, Mercure de France – Gabriel Bounoure – quoted in ‘The Book of Margins’- Edmund Jabes, Translated by Rosmarie Waldrop .)                                                                            CONTENTS ABSTRACT                                                                                                                      PROLOGUE                                                                                                  ACT I – The Presence of Absence                           ACT II – On The Threshold                                                     Paintings and Drawings                                                            Abstraction of Ballet chara
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